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System X - Beat The System

System X- Beat The System. EFZ-1001
Recorded-1992 Released-1993

Noel Langley Trumpet
Paul Weimar-Saxes
Paul Dunne-Guitar
Phil Mulford-Bass
Simon Hale-Keyboards
Frank Tontoh-Drums
Pete Eckford-Percussion
Recorded by Jon Hiseman and John Canham at Temple Music Studios. Mixed by Jon Hiseman, John Canham, Bryan Evans and Ted Hayton.

I put together System X in 1989, the idea was a new band playing as many original compositions as possible with the arrangement and ensemble playing being as important as the ‘blowing’.
At the time I was working with Noel Langley and Paul Dunne and knew they would fit the brief perfectly. I then thought about who else would fit well into the concept. I called Paul ‘Shilts’ Weimar who I had been playing with a variety of projects, one a stillborn project with the great Mal Maddock on keyboards. Paul’s muscular modern styling on both Tenor and Alto made him a great choice. As part of Derek Nash’s Sax Appeal ensemble I met pianist and composer Simon Hale enjoying his great playing, positivity and excellent musicianship and knew that he would be perfect. Simon recommended Frank Tontoh for the drum chair, which turned out to be an inspired move.

We established a regular spot at the South London Venue ‘The Bulls Head’ in Barnes. The Pub had a legacy for Modern Jazz back to the late 1950s and it became our ‘home’ turf. We played Noel’s lengthy workouts ‘The Bridge’ and ‘Flying Fish’ and Simon got his writing pen out straight away providing ‘Bari By Night’, ‘Once Again’, ‘One Step Further’ and ‘Coming Home’. I got to work with ‘Close Encounters’ and ‘September 1st’ to add to the set. The Band augmented the originals at this time with some covers, ‘Eye To Eye’ by Chaka Khan arranged by Noel, David Sanborn’s ‘Chicago Song’ and an audience favourite ‘Get Loose’ by John Eacott, which was a tune originally played by the ground breaking Big Band ‘Loose Tubes’ but never made it on to an album. It was recorded for a BBC Jazz Broadcast by us in 1995.

After a few years of regular Gigs on the mainly the London Gig circuit, the Band became one of the top outfits to check out on the scene and the opportunity to record an album arose. At a Bull’s Head Gig Businessman and Musical aficionado Ralph Bagge was in the audience and he formed EFZ Records to host the release. After discussions with Distributer, New Note, Ralph started the label and EFZ was born, Beat The System being the first release amongst others by Jim Mullen, Dave O’Higgins and Mornington Lockett.

The Album Sessions.
The Band assembled on December 4th 1991 for a rehearsal and the tracking sessions kicked off on New Years Day 1992 at Jon Hiseman’s Temple Music Studio in Sutton, Surrey. As Phil and Paul had been members of Jon and his wife Barbara’s group ‘Paraphernalia’ it seemed a natural fit for the recording, the Studio being 
large enough for the Band to play toigether and having a great Yamaha Grand Piano. As much as possible was recorded live with ‘Flying Fish’ ‘Half Crazy’ ‘We’ll See’ and ‘The Bridge’ being entire live takes. You can certainly hear the energy and the ‘in the moment’ playing during these tracks. For ‘Flying Fish’ the excellent London based conguero Pete Eckford augmented the take.

Once the tracks were mixed the DAT tapes were taken to Nimbus Records in Wales for mastering and duplication.
The album was released in 1993 and created some good traction, featuring well in the Tower Records/Jazz FM chart in 1993 charting as high as number 2 only being kept off the top by Pat Metheny with his live album ‘The Road To You’ on Geffen Records.

The band continued to Gig for the next five years playing many Gigs and recording a BBC Jazz Parade session in 1995.

Mulford MacFarlane Group.

Mulford Macfarlane Group-Jamming Frequency. Bridge Records BRGCD-13
Recorded-1994
Released-1994

Malcom MacFarlane-Guitar
Phil Mulford-Bass
Pete Murray-Keyboards
Mike Bradley-Drums
Recorded and mixed by John Canham at Temple Music Studios.

I started the Mulford MacFarlane Group with the great Scottish guitarist Malcolm MacFarlane after meeting him in the National Youth Jazz Orchestra. We also played together in Barbara Thompson’s Group ‘Paraphernalia’ and as a result decided to team up and write some material.

We played some initial gigs at the Bulls Head, Barnes with Pete Murray on Keyboards and Mike Bradley on drums and set about recording our debut album “Jamming Frequency’, in January 1994 at Temple Music Studios with John Canham engineering. It was all original material and both Pete and Mike contributed compositions. The album was released on Bridge Records later in the year and we played some Gigs to publicise its release.

Mulford MacFarlane Group-Bright Lights, Big City. Jazzizit-9920 
Recorded-1996
Released-1999

Malcom MacFarlane-Guitar

Phil Mulford-Bass
Simon Carter-Keyboards

Mike Bradley-Drums

Chris Dagley-Drums
Adrian Revell-Saxes
Keith Fairbairn-Percussion

Jacqui Hicks-Vocals
Recorded and mixed by Miles Ashton at Temple Music Studios.

In 1996 we put together our second MMG album, ‘Bright Lights, Big City’, with an expanded lineup for the Jazzizit Label. It features Jacqui Hicks on vocals, Simon Carter on keyboards, Mike & NYJOs Chris Dagley on drums, Adrian Revell on Saxes and Keith Fairbairn on percussion. This album features compositions by Malcolm, myself & Jacqui Hicks and an arrangement of the standard, ‘My Foolish Heart’. It was a broadly more commercial offering featuring Jacqui on vocals on three tracks, ‘The Way’, ‘The Things You Do’ and My Foolish Heart’.

The Boaters Project

The Boaters Project-Frith & Dean 1001
Recorded-2012
Released-2016

Jacqui Hicks-Vocals
Phil Mulford-Bass
Simon Carter-Keyboards
'Frosty Beedle-Drums

Malcom MacFarlane-Guitar

Liam Mulford-Guitar

Pete Eckford-Congas

Fred Vidgor-Sax

Brent Carter-Vocals

The Boaters Project, named after the riverside Pub ‘Boaters’ in Kingston that hosted Jazz for 30 years until 2020 was born from a conversation between the Trio that performed there regularly with singer Jacqui Hicks.

We wanted to document our set for posterity and set about organising ourselves to record the tracks.

Assembling at The Bunker in Welwyn Garden City in November 2012 followed by a session in September 2013 we recorded the rhythm tracks. A few new arrangements were added to the usual favourites, Jacqui with a great version of the Stevie wonder/Michael Jackson classic, ‘I Can’t Help It’ Phil with Chaka Khan’s ‘Ain’t Nobody’ and Simon Carter with ‘Staying Alive’ and ‘Fell Like Makin’ Love’. After compiling the rhythm tracks it was decided to add a few guests, Malcolm MacFarlane and Liam Mulford on Guitar, Pete Eckford on Congas and after a chance conversation at the Jazz Cafe with Average White Band and Tower of Power singer Brent Carter he came forward to duet on ‘People Make The World Go Round’. AWB saxophonist Freddy V also added sax to ‘You’ve Got A Friend’. After mixing by Steve Cooper the album was released in 2016 on the Bands own imprint Frith & Dean Records. It was very well received the Band playing many Gigs and selling out the initial pressing.

'From The Vaults' Frith & Dean 1002

‘From the Vaults’ is a collection of tracks that had been recorded over a period of over 20 years at various times. There is no common thread stylistically except the fact that I wrote and recorded them and some great friends and musicians made some amazing contributions to them. Some of the tracks started out on tape and then were digitised and others on my first Mac/Logic setup going through Logic 7 to 8 to 9 and finally to Logic X. They’ve been around for a long time and I decided although I have some slight reservations about some of them, it would be fitting to release them and give them wings. There are a few moments where I could re-record the line or solo, but that’s not the point. These recordings have a date stamp to them and I wanted to keep them honest. To make them perfect would rob them of some of their essential character. It is my journey with my bass and my compositions.
I realised that a hard disk going down or a computer failure would render all this hard work and generosity from the other musicians all for nothing, hence me putting them out now. My old 2009 Mac Pro 4.0 Tower has been a solid companion throughout, but at some point it will process its last bits of digital data and become landfill I guess. I’m releasing these in two phases cunningly named Parts 1 & 2 so that I can focus on getting them sounding the best I can with what I have to work with.

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